Chapter (অধ্যায়): VI-X SHRI PRIYA NATH SINHA PAGE-363Page: 363 of 537
effect. To sing by keeping to the idea, meant to be conveyed by a song, totally disappeared from our country when Tappas came into vogue. Nowadays, it seems, the true art is reviving a little with the improvement in theatres; but, on the other hand, all regard for Ragas and Raginis is being more and more flung to the winds.
Accordingly, to those who are past masters in the art of singing Dhrupada, it is painful to hear Tappas. But in our music the cadence, or a duly regulated rise and fall of voice or sound, is very good. The French detected and appreciated this trait first, and tried to adapt and introduce it in their music. After their doing this, the whole of Europe has now thoroughly mastered it.
Q. Maharaj, their music seems to be pre-eminently martial, whereas that element appears to be altogether absent in ours.
Swamiji: Oh, no, we have it also. In martial music, harmony is greatly needed. We sadly lack harmony, hence it does not show itself so much. Our music had been improving steadily. But when the Mohammedans came, they took possession of it in such a way that the tree of music could grow no further. The music of the Westerners is much advanced. They have the sentiment of pathos as well as of heroism in their music, which is as it should be. But our antique musical instrument made from the gourd has been improved no further.
Q. Which of the Ragas and Raginis are martial in tune?
Swamiji: Every Raga may be made martial if it is set in harmony and the instruments are tuned accordingly. Some of the Raginis can also become martial.
The conversation was then closed, as it was time for supper. After supper, Swamiji enquired as to the sleeping arrangements for the guests who had come from Calcutta to the Math to pass the night, and he then retired to his bedroom.